Adolfo Doring’s Nomenclature is deceptively layered with meaning and contexts absorbent from his work in film. Sublime and poetic, Nomenclature is pictorial prose, a visual soliloquy, an imagistic dialogue of the human figure in a kind of call and response with a plethora of variegated environments including urban space as well as the natural world. Doring’s still photography is analogous to a single frame of a film; where he decides to point his camera, whether indoors or outdoors, is akin to a film’s locale; and the placement of images mapped within Nomenclature is as much a directorial decision as it is of editing.

— Raul Zamudio