Lizzie Borden, Born in Flames
Softcover, 32 pp., offset 4/4, 210 x 297 mm
Edition of 1000
ISBN 978-0-9562605-9-8
Published by Occasional Papers
$18.00 · out of stock
Born in Flames, the publication, is an illustrated transcript of Lizzie Borden’s 1983 film ‘Born in Flames’, edited and designed by Kaisa Lassinaro. It includes an interview with Borden conducted in Los Angeles by Lassinaro, as well as the lyrics of
Undercover Nation by The Bloods and
Born in Flames by Red Crayola, kindly supplied by Adele Bertei and Mayo Thompson.
‘Born in Flames poses the question of whether oppression against women will be eliminated under any kind of social system. […] It is a fantasy presenting a group of women who, confronted with the very “ordinary” oppression women have been experiencing for decades, refuse to take it any longer and become armed fighters against the government. Their position is that oppression against women is not eliminated automatically with “socialism” — not only do political values have to change, cultural values must change and become embedded in practice.’
— Lizzie Borden in Heresies #16, 1983
In the spirit of Borden’s film, the publication was collectively funded by the following individuals and institutions:
Stuart Bailey, Heather Bradley, Eleanor Brown, Geoffrey Brusatto, Culturgest, Wayne Daly, Chris Evans, Beatrice Gibson, Nick Gordon, The Hawthorne Archive, Erna Hecey, Onno Hesselink, Will Holder, Jeff Khonsary, Koenig Books, Uriel Orlow, Falke Pisano, Philomene Pirecki, PrintRoom: Karin de Jong, Ewoud van Rijn, Pro QM, David Reinfurt, Jane Rolo, Catherine de Smet, Benjamin Thorel, Giulia Vallicelli, and Julia Zay.
Adele Bertei, Anarchy, Beatrice Gibson, Benjamin Thorel, Catherine de Smet, Chris Evans, Culture, Culturgest, David Reinfurt, Distribution, Eleanor Brown, Erna Hecey, Ewoud van Rijn, Falke Pisano, Feminism, Film, Geoffrey Brusatto, Giulia Vallicelli, Heather Bradley, Heresies, Jane Rolo, Jeff Khonsary, Julia Zay, Kaisa Lassinaro, Karin de Jong, Koenig Books, Lizzie Borden, Mayo Thompson, Nick Gordon, Occasional Papers, Onno Hesselink, Philomene Pirecki, PrintRoom, Pro QM, Red Crayola, Sandy Yang, Socialism, Stuart Bailey, The Hawthorne Archive, The Red Krayola, Uriel Orlow, Wayne Daly, Will Holder
The Serving Library is a collectively-built archive. It consists of three parts: 1. an ambitious public website; 2. a small physical library space; 3. a publishing program which runs both through the website (#1) and through the space (#2). This is a long-term project being developed by Stuart Bailey, Angie Keefer and David Reinfurt. Together we are just beginning so we need your
help to build our library and construct a new model for this old institution.
The first libraries were built on an Archiving model. In the Archiving Library, information and artifacts were collected, concentrated and protected in one central place. On July 1, 1731, Benjamin Franklin established the first Circulating Library in Philadelphia. Books were quite expensive, so by pooling resources many volumes could be shared among contributing members, and, the books moved around. Now, we propose a new model that joins the Archiving Library to the Circulating Library — The Serving Library.
The Serving Library is an archive assembled by publishing. Publishing and archiving have always been either end of a continuous loop, but now on an electronic network like the Internet, the two activities are both simultaneous and indistinguishable. This makes particularly small public libraries increasingly redundant. It’s time to reconsider what kind of library makes sense right now, and suggest one possible way forward.
The Serving Library follows directly from ten years of independently publishing Dot Dot Dot (www.dot-dot-dot.us), a biannual arts journal printed in a run of 3000 copies, with broad international distribution co-founded by Stuart Bailey in 2000. Dot Dot Dot then led to establishing Dexter Sinister (www.dextersinister.org) in 2006, a self-described “Just-in-Time Workshop and Occasional Bookstore” run from a modest basement on the Lower East Side of New York City. Evolving from a publication to a bookstore, we now want to expand from these relatively private activities to a more properly public sphere by developing a new library where materials are collectively produced, assembled and pooled to maintain a body of shared information that serves the committed community who helped make it.
We will build our library by publishing. Bulletins of the Serving Library will be a hybrid electronic / printed publication offered first as PDF files freely available, released in serial form on www.servinglibrary.org. Twice a year, these concise booklets will be collected, printed, bound and distributed. We’re ready to publish the first collection of Bulletins now. This first set directly addresses libraries, archives and collections and includes “An Octopus in Plan View” by Angie Keefer, an 8-part text on communication organized around the anatomy of an octopus; “From O-1: Information on Libraries & From 1-0: Information on Recording” by Rob Giampietro & David Reinfurt, on the paradox of contemporary archiving in the face of the Internet; and “The Life and Death of Media” by Bruce Sterling, an out-of-time plea for compiling an exhaustive list of outdated media formats.
We are asking for your support to help us develop the website, publish the PDFs, print, bind and distribute the first hard-copy issue of the Bulletins and to begin assembling The Serving Library.
www.servinglibrary.org
Angie Keefer, Art, Benjamin Franklin, Bruce Sterling, David Reinfurt, Design, Dexter Sinister, Dot Dot Dot, Libraries, Portable Document Format, Rob Giampietro, Stuart Bailey
Maria Fusco and Ian Hunt, Put About: A Critical Anthology on Independent Publishing
Softcover, 194 pp., offset 4/1, 190 x 255 mm
Edition of 2000
ISBN: 1-870699-70-X
Published by Book Works
$40.00 · out of stock
Put About: A Critical Anthology on Independent Publishing presents a timely discussion about independent publishing and publishing by artists, focusing on books where the makers keep control of every aspect of production through to distribution. Combining an interest in what and why publishers and artists feel compelled to deliver such materials, together with the economic models, audience and networks of association that can give independent productions a wider cultural presence, this book features a broad range of written and visual pieces alongside ‘case-studies’ from a selection of contemporary international publishers. Contributors include: John Baldessari, Simon Bedwell, Michael Bracewell, Andrea Brady, Cabinet Magazine, Bonnie Camplin, Maurizio Cattelan, David Dibosa, Matthew Higgs, Stewart Home, Lucy Lippard, Emily King, Gunilla Klingberg, Jakob Kolding, John Miller, Paul D. Miller aka Dj Spooky, Aleksandra Mir, Stéphanie Moisdon, David Osbaldeston, Raymond Pettibon, Lynne Tillman, Nicolas Trembley, and Axel John Wieder.
Aleksandra Mir, Andrea Brady, Art, Axel John Wieder, Bonnie Camplin, Book Works, Cabinet Magazine, Criticism, David Dibosa, David Osbaldeston, Emily King, Gunilla Klingberg, Ian Hunt, Jakob Kolding, John Baldessari, John Miller, Lucy Lippard, Lynne Tillman, Maria Fusco, Matthew Higgs, Maurizio Cattelan, Michael Bracewell, Nicolas Trembley, RAM, Raymond Pettibon, Simon Bedwell, Stéphanie Moisdon, Stewart Home, Stuart Bailey
Christoph Keller and Jérôme Saint-Loubert Bié, Double Page
Softcover, 256 pp., offset 4/3, 115 x 160 mm
Edition of 2000
ISBN 978-2917855-06-5
Published by Editions B42
$15.00 · out of stock
45 graphic designers, 90 photographs, 10 years of books on contemporary art.
This book is based on an invitation to graphic designers to choose two books on contemporary art from the past decade whose design they think is particularly pertinent to the content, to photograph one double-page spread from each book and, if they wish, to comment on their choices.
Double Page provides a selection of recent art publications as viewed by graphic designers who are internationally known for their contribution to that field, and offers a glimpse at the role of book design today in our knowledge and understanding of contemporary art.
Shedding light on this prevalent relationship between art and graphic design by means of photography, Double Page constitutes an unprecedented document of how graphic designers see the work of their peers and their own practices as an essential part of the editorial process.
Alberto Vieceli, Alex Rich, Alexandre Dimos, Alexia de Visscher, Armand Mevis, Art, Arthur Herrman, Aude Lehmann, Benjamin Sommerhalder, Caroline Fabès, Catherine de Smet, Change is Good, Christian Haas, Christoph Keller, Christoph Steinegger, Counterspace, Daniel Eatock, David Reinfurt, David Rust, deValence, Dexter Sinister, Dimitri Bruni, Dorothea Weishaupt, École régionale des Beaux-Arts de Rennes, Editions B42, Erik Kessels, Frédéric Teschner, Gaël Étienne, Gail Swanlund, Gavillet & Rust, Georg Rutishauser, Gilles Gavillet, groenlandbasel, Interkool, Jean-Marc Ballée, Jean-Marie Courant, Jeroen Kummer, Jérôme Saint-Loubert Bié, Jocelyn Cottencin, Jon Sueda, Jonathan Maghen, José Albergaria, Joseph Logan, Joséphine Guérin, Julia Born, KesselsKramer, Kummer & Herrman, Lehni-Trueb, Lex Trueb, Lieuxcommuns, Linda van Deursen, Ludovic Balland, Manuel Krebs, Manuel Raeder, Markus Dreßen, Markus Weisbeck, Maureen Mooren, Mevis & van Deursen, Michael Worthington, Mike Meire, Müller & Wesse, NORM, O-R-G, Peter Bilak, Philipp Arnold, Pierre Huyguebaert, Prill & Vieceli, Purtill Family Business, Raffinerie AG für Gestaltung, Regular, Rik Bas Backer, Roger Willems, Roma, Sara De Bondt, Secondary Modern, Simon Josebury, Spector, Speculoos, Stephan Müller, Stripe, Stuart Bailey, Studio Ahoy, Tania Prill, Textfield, Typography Cabinet, Typotheque, Urs Lehni, Warren Olds, Will Holder, Yvonne Quirmbach
Dexter Sinister, Portable Document Format
Hardcover, 200 pp., offset 4/1, 4.25 x 6.75 inches
Edition of 1000
ISBN 978-1-933128-85-6
Published by Sternberg Press
$20.00 · out of stock
Over the past few years, Dexter Sinister has been interested in exploring contemporary publishing in its broadest, most exploded sense. The first part of this book consists of pieces of writings written since the conception of their New York basement workshop and bookstore in the summer of 2006. These writings were previously published online as PDFs in the Library at www.dextersinister.org. They were primarily written by Dexter Sinister or by one of a circle of regular collaborators, often for their house journal
Dot Dot Dot, or as supplements to other books or exhibitions.
The second part consists of reproductions of a series of lithographic proof prints. Accompanying these prints are extended captions individually produced for different exhibitions in 2008. Each caption was composed in line with the manner of its accompanying image. Although never intended as a set, a number of generic themes emerged, such as abstraction, mathematics, logic, and cooperation. The book intends to demonstrate how ideas from the first part have been rechannelled in the second.
Anthony Huberman, David Reinfurt, David Senior, Dexter Sinister, Edgar Allan Poe, Giles Weaver, Louis Kaplan, RAM, Rob Giampietro, Seth Price, Sternberg Press, Stuart Bailey, Walead Beshty
Stuart Bailey and Robin Kinross, God’s amateur: the writing of E.C. Large
Softcover, 96 pp., offset 3/1, 170 x 240 mm
Edition of 2000
ISBN 978-0-907259-38-1
Published by Hyphen Press
$20.00 ·
A book of and about E.C. Large, which contains a selection of his shorter writings — travel essays, reportage, reveries, reviews, critiques, autobiographical pieces — and which reveals the extent of his achievement. These show a notably exact writer, with sane no-nonsense views, and yet with great imagination. Some unpublished texts are shown in facsimile. Also here is a bibliography of his published writings (both ‘literary’ and scientific), and an essay by Stuart Bailey, which sees his work with present-day eyes.
Criticism, E.C. Large, Hyphen Press, PAP, Robin Kinross, Stuart Bailey
Stuart Bailey and Ryan Gander, Appendix Appendix
Softcover, 192 pp., offset 4/1, 215 x 280 mm
Edition of 5000
ISBN 978-3-905770-19-3
Published by JRP|Ringier, CK editions
$29.00 ·
Appendix Appendix is conceived as the sequel to Ryan Gander and Stuart Bailey’s 2003 book “Appendix.” Like its predecessor, it attempts “a translation of practice” based on Ryan Gander’s recent body of work. Neither straight
documentation, nor an “artist’s book,” it pushes for a third way, editing and presenting each individual piece of work in a manner appropriate to its specific nature. In the years since “Appendix,” Gander’s work has increasingly encompassed sound and the moving image in addition to the earlier objects and installations. This shift will directly affect the form of
Appendix Appendix.
Born in 1976, Ryan Gander lives and works in London and Amsterdam. His photographs, films, installations and sculptures draw on multiple layers of facts and fiction. He has exhibited in the USA and throughout England and Europe.
The English-born Stuart Bailey (*1973) has forged a formidible creative base for himself in Amsterdam where he has benefited greatly from Dutch design tradition. Since his arrival in the Netherlands, he has become a steady contributor to the art and design culture as a writer, critic, editor, and graphic designer.
This publication is part of the series of artists projects edited by Christoph Keller. Personally selected by Keller, for Textfield, as one of his top five from the series.
Art, Christoph Keller, CK editions, DAP, Dexter Sinister, Film, Graphics, JRP|Ringier, Ryan Gander, Stuart Bailey, Theory
Textfield V
Softcover, 128 pp., offset 4/1, 6.5 x 9.5 inches
Edition of 2500
ISSN 1934-2446
Published by Textfield
$20.00 ·
Contributors; Darren Bader, Stuart Bailey, Nina Jan Beier, Chris Bolton, Rainer Borgemeister, Binna Choi, Ryan Conder, Chris Cullens, Jason DeLeón, Thomas Eberwein, Marco Fiedler, Steve Hanson, Danielle Kays, Robin Kinross, Marc Kremers, Marie Jan Lund, Yukinori Maeda, Miltos Manetas, Emily Mast, Slobodan Milosevic, Angelos Plessas, Manuel Raeder, Achim Reichert, Rafaël Rozendaal, Eduardo Sarabia, Artur Schmal, Nanette Sullano, Gerard Unger, Amy Yao, and Cosmic Wonder.
Achim Reichert, Amy Yao, Angelo Plessas, Angelos Plessas, Art, Artur Schmal, Binna Choi, Chris Bolton, Chris Cullens, Cosmic Wonder, Criticism, Danielle Kays, Darren Bader, Distribution, Eduardo Sarabia, Emily Mast, Fashion, Fiction, Gerard Unger, Jason DeLeón, Jonathan Maghen, Manuel Raeder, Marc Kremers, Marco Fiedler, Marie Jan Lund, Miltos Manetas, Nanette Sullano, Nina Jan Beier, Photography, Rafael Rozendaal, Rainer Borgemeister, Robin Kinross, Ryan Conder, Slobodan Milosevic, Steve Hanson, Stuart Bailey, Textfield, Theory, Thomas Eberwein, Typography, Yukinori Maeda
Shannon Ebner, The Sun As Error
Hardcover, 64 pp., offset 4/1, 11 x 14.5 inches
Edition of 1000
ISBN 978-0-87587-200-1
Published by LACMA
$65.00 · out of stock
The Los Angeles based artist Shannon Ebner extends her exploration of photography, sculpture and language in this remarkable book,
The Sun as Error. In collaboration with Dexter Sinister (design duo David Reinfurt and Stuart Bailey),
The Sun as Error re-investigates the meaning and language of photographs, creating both an open-ended reading of her practice and also rethinking the idea of an artist’s monograph. Far from straightforward, the book interweaves her bodies of work, previously unseen one-off pieces, with the language of technical diagrams, optical illusions, and graphic design. One of the persistent motifs through the book’s sequence is an asterisk and, specifically, one imbued with the legacy of the graphic designer Muriel Cooper. As the first design director for MIT Press and the cofounder of the Visible Language Workshop, Cooper’s legacy for reorienting and repositioning the direction of an artist’s monograph is imaginatively explored in the creative partnership of Dexter Sinister and Shannon Ebner.
Shannon Ebner’s work has been shown in exhibitions including Trace at The Whitney Museum of American Art at Altria (2006), The 2006 California Biennial at The Orange County Museum of Art, Uncertain States of America, at The Serpentine Gallery, London (2006), Learn to Read, at the Tate Modern, London (2007), and the 2008 Whitney Biennial at The Whitney Museum of American Art.
Art, Charlotte Cotton, Dexter Sinister, Graphics, LACMA, Photography, RAM, Shannon Ebner, Stuart Bailey, Theory, Typography, Wallis Annenberg Photography Department