Traducing Ruddle is the fifth in a series of “fake” newspapers by Dutch artist Mark Manders. Using a nonsensical combination of English words, Traducing Ruddle creates a pretense of legibility that dissolves upon closer inspection. The newspaper is supplemented by Two Connected Houses, a 48 page insert developed in conjunction with the exhibition Contemplating the Void: Interventions in the Guggenheim Museum.

Sheets from Manders’ Traducing Ruddle form the central element of the artist’s Window with Fake Newspapers project, a site-specific public work on view through March 28th.