United States 1970-1975
Jacob Holdt, United States 1970-1975
Hardcover, 192 pp., offset 4/4, 255 x 255 mm
Edition of 5000
ISBN 9783865213938
Published by Steidl
$40.00 ·
Secession
Christopher Williams, Secession
Softcover, 96 pp., offset 4/duotone, 210 x 297 mm
Edition of 5000
ISBN 9783865600417
Published by Walther König
$25.00 ·
Negative Space
Mungo Thomson, Negative Space
Softcover, 160 pp., offset 4/4, 175 x 255 mm
Edition of 5000
ISBN 978-3-905770-27-8
Published by JRP|Ringier, CK editions
$29.00 ·
This publication is part of the series of artists projects edited by Christoph Keller. Personally selected by Keller, for Textfield, as one of his top five from the series.
Zeitung
Peter Piller, Zeitung
Hardcover, 384 pp., offset 4/1, 280 x 280 mm
Edition of 5000
ISBN 978-3-905829-10-5
Published by JRP|Ringier, CK editions
$95.00 ·
This publication is the most complete compilation to date of Peter Piller’s collection of found images. More than 2000 illustrations chosen from newspapers are organized in such categories as “Touching Cars,” “Sad, Hopeless, Despair, Tristesse,” “Girls Firing Arms,” “Stand-in, Protests,” or “Man and Fire.” An improbable typology of press photography of the last decades.
This publication is part of the series of artists projects edited by Christoph Keller. Personally selected by Keller, for Textfield, as one of his top five from the series.
Textfield V
Textfield V
Softcover, 128 pp., offset 4/1, 6.5 x 9.5 inches
Edition of 2500
ISSN 1934-2446
Published by Textfield
$20.00 ·
Contributors; Darren Bader, Stuart Bailey, Nina Jan Beier, Chris Bolton, Rainer Borgemeister, Binna Choi, Ryan Conder, Chris Cullens, Jason DeLeón, Thomas Eberwein, Marco Fiedler, Steve Hanson, Danielle Kays, Robin Kinross, Marc Kremers, Marie Jan Lund, Yukinori Maeda, Miltos Manetas, Emily Mast, Slobodan Milosevic, Angelos Plessas, Manuel Raeder, Achim Reichert, Rafaël Rozendaal, Eduardo Sarabia, Artur Schmal, Nanette Sullano, Gerard Unger, Amy Yao, and Cosmic Wonder.
Textfield IV / Bless N˚27, Eased Up
Textfield IV / Bless N˚27, Eased Up
Softcover, 112 pp., offset 4/1, 6.5 x 9.5 inches
Edition of 2500
Published by Textfield
$20.00 ·
Contributors; Becca Albee, Timothy Aubry, AUDC, Pierre Bal-Blanc, Nina Jan Beier, Mariana Castillo Deball, Fritz Haeg, Chace Hartman, Nakako Hayashi, Marco Fiedler, Johnny Freedom, Marc Kremers, Prem Krishnamurthy, Marie Jan Lund, Jonathan Maghen, Rob McKenzie, Francois Perrin, Angelo Plessas, Achim Reichert, Anna Sew Hoy, Jennifer Stratford, Nikola Tosic, and Michael Wells.
American Minor
Charlie White, American Minor
Hardcover, 144 pp., offset 4/4, 245 x 345 mm
Edition of 2000
ISBN 978-3-03764-003-6
Published by JRP|Ringier/Codax Publishers
$65.00 ·
The photographs of Los Angeles-based artist Charlie White (*1972) explore the complex social and psychological realities of American culture. American Minor delves into an important subtext of White’s work: the American teen. By cataloguing studio archives, film stills, animation stills, scripts, and photographs, the book highlights the artist’s investigations into the representation of the American teen girl. Through images culled from the artist’s two-year study of an ex-urban teenager, archives of magazine covers featuring iconic blonde models, stills from his first 35mm film, and his photographic comparative study of teens and transgenders, American Minor presents White’s ongoing and never-before-seen studies of the American teen subject as image and idea. This book sheds new light on the artist’s oeuvre within the context of his new work in film, animation, and cultural archiving.
The Sun As Error
Shannon Ebner, The Sun As Error
Hardcover, 64 pp., offset 4/1, 11 x 14.5 inches
Edition of 1000
ISBN 978-0-87587-200-1
Published by LACMA
$65.00 ·
Shannon Ebner’s work has been shown in exhibitions including Trace at The Whitney Museum of American Art at Altria (2006), The 2006 California Biennial at The Orange County Museum of Art, Uncertain States of America, at The Serpentine Gallery, London (2006), Learn to Read, at the Tate Modern, London (2007), and the 2008 Whitney Biennial at The Whitney Museum of American Art.
Portrait Photographs
Bernhard Fuchs, Portrait Photographs
Hardcover, 114 pp., offset 4/4, 24 x 30 cm
Edition of 2000
ISBN 3-901756-32-9
Published by Fotohof Editions
$68.00 ·
When Austrian-born photographer Bernhard Fuchs shoots a portrait, the landscape is as important as the face. His portrayals of people from his native village, Mühlviertel, show them in places where they have deep roots. When the subjects live in cities, the photos express the rootless quality of urban life, with open doors and blank walls providing backdrops. Accompanying text by renowned photojournalist Timm Starl.
Slime the Boogie
Softback, 420 pp., offset 4/1, 5.5 x 8.5 inches
Editon of 300, signed and numbered, AP/300
Published by Peres Projects
$250.00 ·
Polaroids
Dash Snow, Polaroids
Softback, 280 pp., offset 4/4, 11 x 11 inches
Edition of 2000
ISBN 0-9817658-4-X
Published by Peres Projects
out of print
The artist’s photographic work is in a thematically similar mode to photographers Nan Goldin, Larry Clark, Ryan McGinley and Richard Billingham, often depicting scenes of a candid or illicit nature. Instances of sex, drug taking, violence and art-world pretentiousness are documented with disarming frankness and honesty, offering insight into the decadent lifestyle associated with young New York City artists and their social circles.
Instilled and Lost
Dean Sameshima, Instilled and Lost
Softcover, 116 pp., offset 4/4, 23 x 30 cm
Edition of 1000
ISBN 0-9778819-1-1
Published by Peres Projects
$30.00 ·
A collection of recent works by Dean Sameshima. With essays by Lisa Lapinski, Lecia Dole Recio, Richard Lidinsky and Stuart Comer.
Young Men At Play!, Vol. 2
Dean Sameshima, Young Men At Play!, Vol. 2
Softcover, 24 pp., digital 4/4, 6 x 9 inches
Edition of 250
A DIS Publication
out of print
Young Men at Play!, Vol. 2 is the second catalog from Dean Sameshima’s 2005 exhibition at Taka Ishii Gallery in Tokyo. The images — of young men cavorting naked — are re-photographed from amateur magazines that circulated illegally in the U.S. in the 1960s. The catalog itself constitutes an outlaw act given existing censorship laws in Japan and the current conservative political climate in the United States. The work is motivated, in part, by the artist’s will to assert and examine the continued existence of underground culture as one amongst multiple “gay cultures”.