After Empire
Herman Asselberghs and Dieter Lesage, After Empire
Softcover, 256 pp., offset 1/1, 110 x 180 mm
Edition of 2000
ISBN 978-94-9069-394-7
Published by MER. Paper Kunsthalle
$20.00 ·
After Empire is published on the occasion of the group show ‘Blijven Kijken’, an exhibition curated by Pieter Van Bogaert at M-Museum on (dis)appearing images and the boundaries of representation. Central in the exhibition is the 2010 video After Empire by Herman Asselberghs. This video is a tentative reflection on positive forms of collective resistance against war as well as emancipatory representations concerned with it. This publication considers a possible alternative for an iconic image drawn from our collective memory: a hijacked plane hitting the second tower of the WTC in 2001, New York. The book proposes an alternative for our collective history: the 15th of February 2003. On that day 30 million citizens across the planet marched against the unilateral decision by the American government to start a pre-emptive war against Iraq under the auspices of “the war on terrorism”. 2/15 was the greatest peace demonstration since the Vietnam war and probably the biggest protest march ever to take place. The war did happen, but this world day of resistance could very well mark the beginning of the 21st century. 2/15 instead of 9/11: a key date in the writing of a history of global contestation in the struggle between two superpowers: the United States against public opinion worldwide.
Wait to Wait
Boris Groys and Andro Wekua, Wait to Wait
Hardcover, 160 pp., offset 4/1, 135 x 196 mm
English and German
Edition of 2000
ISBN 978-3-03764-021-0
Published by JRP|Ringier, CK editions
$28.00 ·
An unequal pair from the ranks of philosophy and contemporary art were brought to the table for debate. The celebrated Russian philosopher Boris Groys, and the young international artist from Georgia Andro Wekua, discussed their shared experiences in the Soviet system, the conditions governing production in contemporary art today, and the sensitivities of a generation of artists born in the 1970s, taking Wekua’s two large installations Wait to Wait and Get Out of My Room as examples.
Phenomena such as loneliness, doubles, repetitions, mirror images, and waiting are the central themes of this conversation, illustrated by pictures of the two installations and several collages by Wekua.