Ein Magazin über Orte 7

Ein Magazin über Orte 7, Sea

Ein Magazin über Orte 7, Sea
Softcover, 76 pp., offset 4/1, 210 x 270 mm
Edition of 1000
ISSN 1866-2331
Published by Ein Magazin über Orte

$18.00 ·

Ein Magazin über Orte (A magazine about places) is published twice a year. It deals with a different location in every issue. The magazine collects works of various authors in the form of photographs, drawings and texts.

Ein Magazin über Orte 6

Ein Magazin über Orte 6, Home

Ein Magazin über Orte 6, Home
Softcover, 84 pp., offset 4/1, 210 x 270 mm
Edition of 1000
ISSN 1866-2331
Published by Ein Magazin über Orte

$18.00 ·

Ein Magazin über Orte (A magazine about places) is published twice a year. It deals with a different location in every issue. The magazine collects works of various authors in the form of photographs, drawings and texts.

Ein Magazin über Orte 5

Ein Magazin über Orte 5, Crime Scene

Ein Magazin über Orte 5, Crime Scene
Softcover, 84 pp., offset 4/1, 210 x 270 mm
Edition of 1000
ISSN 1866-2331
Published by Ein Magazin über Orte

$18.00 ·

Ein Magazin über Orte (A magazine about places) is published twice a year. It deals with a different location in every issue. The magazine collects works of various authors in the form of photographs, drawings and texts.

Ein Magazin über Orte 4

Ein Magazin über Orte 4

Ein Magazin über Orte 4, Desk
Softcover, 80 pp., offset 4/1, 210 x 270 mm
Edition of 1000
ISSN 1866-2331
Published by Ein Magazin über Orte

$18.00 ·

Ein Magazin über Orte (A magazine about places) is published twice a year. It deals with a different location in every issue. The magazine collects works of various authors in the form of photographs, drawings and texts.

Why People Photograph

Robert Adams, Why People Photograph

Robert Adams, Why People Photograph
Softcover, 189 pp., offset 1/1, 5.5 x 8.25 inches
Edition of 2000
ISBN 9780893816032
Published by Aperture

$15.00 ·

A now classic text on the art, Why People Photograph gathers a selection of essays by the great master photographer Robert Adams, tackling such diverse subjects as collectors, humor, teaching, money and dogs. Adams also writes brilliantly on Edward Weston, Paul Strand, Laura Gilpin, Judith Joy Ross, Susan Meiselas, Michael Schmidt, Ansel Adams, Dorothea Lange and Eugène Atget. The book closes with two essays on “working conditions” in the nineteenth- and twentieth-century American West, and the essay “Two Landscapes.” Adams writes: “At our best and most fortunate we make pictures because of what stands in front of the camera, to honor what is greater and more interesting than we are.”