Print Review of small-circulation publications, distributed by Textfield, Inc., on
1.618, a blog on interesting objects in the field of design and contemporary art by
Журнал Esquire Art Director, Maxim Nikanorov. Project curated by Textfield, Inc.
Publications: Ort (Bücher & Hefte); I Still See Communism Everywhere (Slavs and Tatars); Temporary Storages (The Book Society); A Book About Some People And Time (Myung Feyen); Four Over One (LACMA); Footnote to a Project* (Abraaj Capital Art Prize)
1.618, Abraaj Capital Art Prize, Birgit Vogel, Bücher & Hefte, Distribution, Elmar Bambach, Esquire Russia, Jonathan Maghen, Joo Hwang, Jörg Koopman, Julia Marquardt, LACMA, Martin Fengel, Maxim Nikanorov, mediabus, Myung Feyen, Nikolay Skavinski, Oliver Knight. Rory McGrath, Payam Sharifi, Phil Chang, Print Review, Sharmini Pereira, Slavs and Tatars, Textfield, The Book Society, Vira Biryukova
Phil Chang
Arthur Ou
Eduardo Sarabia
Anna Sew Hoy
Temporary bookshop and exhibition
July 21 — August 25, 2011
Reception: Thursday, July 21, 6-8pm
Organized by Textfield, Inc.
Creatures of Comfort New York is pleased to present
No More Reality, a temporary bookshop and exhibition organized by Textfield, Inc. The bookshop and exhibition will take place in Creatures of Comfort’s adjacent project space at
205 Mulberry St.
In conjunction with the bookshop, which will feature current and archived titles from Textfield Distribution, there will be an exhibition of work by artists that Jonathan Maghen has collaborated with through Textfield to realize various publishing projects. The exhibition will feature the works of Phil Chang, Arthur Ou, Eduardo Sarabia, and Anna Sew Hoy.
The bookshop and exhibition title have been appropriated from the Philippe Parreno work, No More Reality (the demonstration), 1991, which is a four-minute video of children demonstrating, and chanting the slogan and title (“No More Reality”).
New York Times Tmagazine.
Aki Books, Amir Zaki, Anna Sew Hoy, ART2102, Arthur Ou, Ava Kaufman, Boabooks, C Magazine, Carvalho Bernau, Charlie White, Cheap Art America, Christoph Keller, Condiment, Cornerkiosk Press, Creatures of Comfort, der:die:das:, Distribution, Eduardo Sarabia, Ein Magazin über Orte, Exhibitions, Fellows of Contemporary Art, Fillip, FOCA, FormContent, Four Over One, IFS Ltd., Jade Lai, Jonathan Maghen, Karl Haendel, Keith Bormuth, Kunstverein, LACMA, Laura Bartlett Gallery, Laura Palmer Foundation, Manuel Raeder, Midway Contemporary Art, Mono.Kultur, New York, Nieves, Occasional Papers, OK-RM, Oslo Editions, Paper Monument, Participant Inc, Passenger Books, Phil Chang, Philippe Parreno, Project Projects, Rainoff Books, Regency Arts Press, Schnauzer, Shane Campbell Gallery, Slavs and Tatars, Teknisk Industri AS, Textfield, The Kingsboro Press, Tramnesia, VCFA, Vermont College of Fine Arts, Vier5
Phil Chang, Four Over One
Hardcover, 64 pp., offset 4/1, 240 x 320 mm
Edition of 500
ISBN 978-087588720-4-9
Published by LACMA
$39.00 ·
In
Four Over One, the Los Angeles based artist
Phil Chang employs the format of an artists book to explore ideas of economy and obsolescence. In collaboration with designer Jonathan Maghen,
Four Over One is structured around Chang’s interest in how new outcomes arise from an antagonism between perceived and actual forms of value. The photographs that appear in the book were created using expired photographic materials exposed by an archival book scanner. Through a sparse display of color, black and white, and half-tone photographs, in conjunction with a restrained typographic treatment,
Four Over One employs an economy of scale in order to consider the roles of abstraction, methods of art production, and modes of distribution in our contemporary culture.
Artforum 500 Words.
Art, Charlotte Cotton, Criticism, Culture, Jonathan Maghen, LACMA, Phil Chang, Photography, RAM, Textfield, Typography, Wallis Annenberg Photography Department
Alex Klein, Words Without Pictures
Softcover, 510 pp., offset 1/1, 5.75 x 8.25 inches
Edition of 2000
ISBN 978-1-5971114-2-3
Published by Aperture/LACMA
$25.00 ·
Words Without Pictures was originally conceived by curator Charlotte Cotton and artist Alex Klein as a means of creating spaces for discourse around current issues in photography. Every month for a year, beginning in November 2007, an artist, educator, critic or curator was invited to contribute a short unillustrated essay about an aspect of emerging photography. Each piece was available on the Words Without Pictures
website for one month and was accompanied by a discussion forum focused on its specific topic. Over the course of its month-long “life,” each essay received both invited and unsolicited responses from a wide range of interested parties. All of these essays, responses and other provocations are gathered together here. Previously issued as a print-on-demand title, we are pleased to present
Words Without Pictures to the trade for the first time as part of the
Aperture Ideas series.
A. L. Steiner, Alex Klein, Alex Slade, Allan McCollum, Allen Ruppersberg, Amir Zaki, Amy Adler, Anthony Pearson, Aperture, Art, Arthur Ou, Carter Mull, Charlie White, Charlotte Cotton, Christopher Bedford, Criticism, DAP, Darius Himes, David Reinfurt, Dexter Sinister, George Baker, Harrell Fletcher, James Welling, Jason Evans, John Divola, Kevin Moore, LACMA, Leslie Hewitt, Marisa Olson, Mark Wyse, Michael Queenland, Miranda Lichtenstein, Paul Graham, Penelope Umbrico, Photography, Sarah Charlesworth, Shannon Ebner, Sharon Lockhart, Soo Kim, Sze Tsung Leong, Theory, Walead Beshty, Wallis Annenberg Photography Department
Shannon Ebner, The Sun As Error
Hardcover, 64 pp., offset 4/1, 11 x 14.5 inches
Edition of 1000
ISBN 978-0-87587-200-1
Published by LACMA
$65.00 · out of stock
The Los Angeles based artist Shannon Ebner extends her exploration of photography, sculpture and language in this remarkable book,
The Sun as Error. In collaboration with Dexter Sinister (design duo David Reinfurt and Stuart Bailey),
The Sun as Error re-investigates the meaning and language of photographs, creating both an open-ended reading of her practice and also rethinking the idea of an artist’s monograph. Far from straightforward, the book interweaves her bodies of work, previously unseen one-off pieces, with the language of technical diagrams, optical illusions, and graphic design. One of the persistent motifs through the book’s sequence is an asterisk and, specifically, one imbued with the legacy of the graphic designer Muriel Cooper. As the first design director for MIT Press and the cofounder of the Visible Language Workshop, Cooper’s legacy for reorienting and repositioning the direction of an artist’s monograph is imaginatively explored in the creative partnership of Dexter Sinister and Shannon Ebner.
Shannon Ebner’s work has been shown in exhibitions including Trace at The Whitney Museum of American Art at Altria (2006), The 2006 California Biennial at The Orange County Museum of Art, Uncertain States of America, at The Serpentine Gallery, London (2006), Learn to Read, at the Tate Modern, London (2007), and the 2008 Whitney Biennial at The Whitney Museum of American Art.
Art, Charlotte Cotton, Dexter Sinister, Graphics, LACMA, Photography, RAM, Shannon Ebner, Stuart Bailey, Theory, Typography, Wallis Annenberg Photography Department