Fillip is a publication of art, culture, and ideas released three times a year.

Taking as its point of departure Giorgio Agamben’s suggestion that subjectivity emerges from the relentless struggle between living beings and the various apparatuses in which they are captured, Apparatus, Capture, Trace, reflects on the links between such apparatuses whose operations today appear increasingly intertwined: photography and biopolitics.

1. Series: Apparatus, Capture, Trace
2. David Geers, Open Call
3. Walid Sadek and Mayssa Fattouh, Tranquility is Made in Pictures
4. David Hartt, Stray Light (Portfolio)
5. Renato Rodrigues da Silva, El Instrumento y Su Obra
6. James Langdo, A Eulogy for the Cutaway
7. Miwon Kwon and Helen Molesworth, Documents Magazine, 1992-2004
8. Caren Kaplan, Aerial Photography as Biopower in the Visual Culture of 9/11
9. Maria Muhle, Imitation of Life: Biopolitics and the Cinematographic Image

Fillip is a publication of art, culture, and ideas released three times a year.

Fillip 16 continues the ongoing series of texts entitled Apparatus, Capture, Trace, and includes a booklet by Ariella Azoulay, Different Ways Not to Say Deportation.

The issue also continues essays from the Intangible Economies series, and focuses on the multifarious forms of exchange fueled by affect and desire. Intangible Economies speculatively investigates the fundamental role these affective transactions play in modes of representation and, accordingly, in cultural production.

1. Patricia Reed, Co-autonomous Ethics and the Production of Misunderstanding
2. Ola El-Khalidi and Diala Khasawnih, Gastronomica Makan
3. Christopher Cozier and Clair Tancons, No More than a Backyard on a Small Island
4. Vincent Bonin, Here, Bad News Always Arrives Too Late
5. Jon Davies, The Masculine Mystique
6. Philip Monk, Crises (and Coping) in the Work of General Idea
7. David Horvitz and Adam Katz, Occupy Wall Street Life Drawing

Fillip is a publication of art, culture, and ideas released three times a year.

Fillip 15 initiates a new, ongoing series of texts entitled Apparatus, Capture, Trace examining the links between biopolitics and photography. The series opens with essays by Saul Anton on Osama bin Laden and Gabrielle Moser on the work of Jon Rafman, alongside an introduction by series editor Kate Steinmann.

The issue continues essays from the Intangible Economies series, which is the focus of a three-day forum co-organized by Artspeak. Presenting speakers include Melanie Gilligan, Hadley+Maxwell, Candice Hopkins, Olaf Nicolai, Monika Szewczyk, and Jan Verwoert, as well as series editor Antonia Hirsch. The event will be broadcast worldwide on Livestream.

The issue also investigates WikiLeaks: Axis of Reputation, a research-based project by Metahaven produced in conjunction with Fillip 15. Part of Metahaven’s ongoing Transparency, Inc. (2010–), the work interrogates the constantly fluctuating image politics of the online whistleblower Web site WikiLeaks.

1. Christian Hänggi on Stockhausen and 9/11
2. Christian Nagler and Joseph del Pesco on curating and algorithms
3. Chris Fitzpatrick and Post Brothers on parasitical practices
4. Christina Linden on survivalism and sustainability
5. Peta Rake on artist-run initiatives in Brisbane
6. Plus a Criticism Roundtable with Julian Myers, Tara McDowell (the Exhibitionist), and Alexander Provan (Triple Canopy), among others