C Magazine 118
C Magazine 118, Criticism
Softcover, 60 pp., offset 4/1, 210 x 295 mm
Edition of 2200
ISSN 1480-5472
Published by C Magazine
$7.50 ·
Artist Projects include Dave Dyment’s Old Man Deciphering a Briefcase, and Charmaine Wheatley’s The Painting is Better.
Also, in this issue, reviews from across Canada and around the globe: Rose Bouthillier on Julia Dault, Jessica Bradley Annex, Toronto; Heather White on Jimmy Limit: Show Room, Clint Roenisch Gallery, Toronto; Shannon Anderson on Volume: Hear Here, Blackwood Gallery, Mississauga; Kyla Brown on Peter Dykhuis: Inventories & Micro-mapping, Red Head Gallery, Toronto; Vanessa Parent: Invisible Violence, Artspeak, Vancouver; Gloria Hickey on Philippa Jones: MIRIAD, The Rooms Provincial Art Gallery, St. John’s; Jane Affleck on Position As Desired, Canadian Museum of Immigration at Pier 21, Halifax; Daniella E. Sanader on Manuela Lalic: Activisme timide, Optica, Montreal; Jill Gleesing This Will Have Been: Art, Love & Politics in the 1980’s, Institute of Contemporary Art, Boston; Jen Hutton on Jordan Wolfson: Raspberry Poser, REDCAT, Los Angeles; and Michael Davidge on Robert Tombs: L’Occupation, ParisCONCRET, Paris.
C118 also includes book reviews of The Last Art College: Nova Scotia College of Art and Design, 1968-1978, review by Leah Modigliani; West of Center: Art and the Counterculture Experiment in America, 1965-1977, review by Felicity Tayler; and Work Work Work: A Reader on Art and Labour, review by Amber Landgraff.
C Magazine 111
C Magazine 111, Libraries
Softcover, 60 pp., offset 4/1, 210 x 295 mm
Edition of 2200
ISSN 1480-5472
Published by C Magazine
$7.50 ·
C Magazine 104
C Magazine 104, Contemporary Feminisms
Softcover, 60 pp., offset 4/1, 210 x 295 mm
Edition of 2000
ISSN 1480-5472
Published by C Magazine
$7.50 ·
C Magazine 103
C Magazine 103, Art Infrastructure
Softcover, 60 pp., offset 4/1, 210 x 295 mm
Edition of 2000
ISSN 1480-5472
Published by C Magazine
$7.50 ·
C Magazine publishes thought-provoking and innovative essays, reviews and projects by both new and established writers and artists. Providing contemporary perspectives on work from sculpture, painting and film, to performance art, digital media, social practice, site-specific art and installation, C is widely recognized as an essential platform for critical debate about contemporary art. Based in Toronto, with contributors around the world, C has provided critically engaged coverage of contemporary art practices in Canada and internationally for 25 years.