Temporary bookshop and exhibition
July 21 — August 25, 2011
Reception: Thursday, July 21, 6-8pm
Organized by Textfield, Inc.
In conjunction with the bookshop, which will feature current and archived titles from Textfield Distribution, there will be an exhibition of work by artists that Jonathan Maghen has collaborated with through Textfield to realize various publishing projects. The exhibition will feature the works of Phil Chang, Arthur Ou, Eduardo Sarabia, and Anna Sew Hoy.
The bookshop and exhibition title have been appropriated from the Philippe Parreno work, No More Reality (the demonstration), 1991, which is a four-minute video of children demonstrating, and chanting the slogan and title (“No More Reality”).
Eva Weinmayr, Art in Ruins and Unknown Stranger, London 1994, an unpublished project for Frieze
Softcover, 16 pp., mimeograph/laser 1/1, 210 x 297 mm
Edition of 300
ISBN 978-0-9562605-2-9
Published by Occasional Papers and FormContent
$8.00 ·
—Eva Weinmayr
The Mock 2, Anecdotes as New Theory
Softcover, 40 pp., offset 1/1, 135 x 210 mm
Edition of 500
Published by FormContent
$4.00 ·
Basing each issue on a loose thematic title, The Mock creates a fluid space to research and experiment with writing as a parallel and yet autonomous art practice.
The Mock 1, The Blackletter
Softcover, 32 pp., offset 1/1, 135 x 210 mm
Edition of 500
Published by FormContent
$4.00 ·
Basing each issue on a loose thematic title, The Mock creates a fluid space to research and experiment with writing as a parallel and yet autonomous art practice.
Unter dem Motto
Saturday, September 5th
12.00 am — 12.00 pm
Motto/Chert
Skalitzer Str. 68
10997 Berlin
U1 Schlesisches Tor
Tel: +49 30 75442119
FormContent, Rehearsing Realities
Loose documents, ephemera, digital 1/1, 297 x 420 mm
Edition of 250
ISBN 978-0-9559029-1-8
Published by FormContent
$15.00 ·
The question of whether they are real or fictional is not important, what matters is that they translate minds onto paper. Conducting and publishing this project allows FormContent to ponder its own identity and, at the same time, explore new curatorial boundaries by expanding the project beyond the walls of its physical space. This publication employs FormContent’s usual mode of communication, a format somewhere between a press release, a poster, a document and an invitation; a black laser print on recycled A3 sized paper.