Social documentaries amid this pist
Mark Borthwick, Social documentaries amid this pist
Softcover, 240 pp., web offset 1/1, 210 x 270 mm
Edition of 250
Published by Mark Borthwick (2002)
$150.00 ·
A social documentary. An appropriation of distinctions between elements. Grey area. An essay in images that repeat themselves. An apparent way to dilute the importance of one over another. Black and white photographs, hand written texts, and xeroxed pages.
Here and There 10
Nakako Hayashi, Here and There 10
Softcover, 64 pp., offset 4/duotone, 210 x 297 mm
Edition of 1000
ISBN 978-3-905714-88-3
Published by Nieves
$20.00 ·
Although having visited on an assignment, I was overwhelmed with emotion. Even for people who are actively recognized, there are still moments, numerous times in your life, where one needs to spend those blue hours alone. The process, to be alone, to suffer with unsettled emotion, is necessary to move forward.
Around the same time, I was asked by chance to write an essay, and decided to write on raising children. Raising children is also about continuous time that cannot be controlled. In the end of that summer, those were the two things that were on my mind, so I decided to put together an issue for Here and There, focusing on the blue hour that can make our lives colorful, as well as the color blue itself.
I looked up at the blue sky. Blue is a color that represents the beauty of nature, but at the same time, it exists in many things manmade. Blue can be found in clothing you wear against your skin, somewhere near you, and far away. The aim is to seek for a blue in personal emotions and in the growing process of people and to find it scattered in the world. This, hoping that it will be an attempt to sprout something in people’s hearts.”
—Nakako Hayashi
Here and There 9
Nakako Hayashi, Here and There 9
Softcover, 56 pp., offset 4/duotone, 210 x 297 mm
Edition of 1000
ISBN 978-3-905714-69-2
Published by Nieves
$20.00 ·
Nakako Hayashi writes: “There are various lives, various moments and various emotions. I wish to capture the ripples of emotion in our daily lives as seeds, right before they turn into fluff and float away. I wish to keep observing what grows from there. I guess this may be what I want to do with Here and There.”
Purple Journal 9
Purple Journal 9
Softcover, 120 pp., offset 1/1, 210 x 275 mm
Edition of 2000
ISSN 1766-8840
Published by Elein Fleiss
out of print
Purple Journal
20 rue Thérèse
75001 Paris France
Purple Journal 10
Softcover, 136 pp., offset 4/1, 195 x 240 mm
Edition of 2000
ISSN 1766-8840
Published by Elein Fleiss
out of print
20 rue Thérèse
75001 Paris France
Purple Journal 8
Purple Journal 8
Softcover, 108 pp., offset 4/1, 210 x 275 mm
Edition of 2000
ISSN 1766-8840
Published by Elein Fleiss
$15.00 ·
Purple Journal
20 rue Thérèse
75001 Paris France
Cosmic Wonder Free Press 2
Cosmic Wonder Free Press 2
Softcover, 36 pp., offset 1/1 + gold/silver metallic, 19.5 x 25.5 cm
Edition of 1000
Published by Nieves
out of print
Comprised of letters from friends ”about light” – Visual collaborations with Elein Fleiss (editor-in-chief of The Purple Journal), Mike Mills (graphic designer/artist/film director) and YOSHIMIO (OOIOO/Boredoms).
Here and There 7
Nakako Hayashi, Here and There 7
Softcover, 64 pp., offset 1/1, 210 x 297 mm
Edition of 1000
Published by Nieves
$20.00 ·
Here and There Vol.7 is dedicated to the cities of Paris and Tokyo, looking at them through the eyes of its wide contributors’ family spread around the world. We are taken into a whirlwind of overlapping stories and emotions, through the words and images of Takashi Homma, Elein Fleiss, Susan Cianciolo, Julian Gatto, Kim Gordon, Mike Mills, Benjamin Sommerhalder and most importantly Nakako Hayashi, the mind behind it all.
Here and There 6
Nakako Hayashi, Here and There 6
Softcover, 48 pp., offset 4/1, 210 x 297 mm
Edition of 1000
Published by Nieves
$20.00 ·
In Nakako’s own words, the vision behind the Unexpected Travelling Issue was: “One day, someone told me her ideal garden is what looks like no one is taking care of, and have so many different pretty flowers in springtime. The other day my friend told me she has an ideal image of bringing up kids even though in reality she has to deal with daily life living in crowded Tokyo. I am into those stories, and new issue must be something related to this ‘ideal’ world. in each people’s minds. Maybe you can talk about ideal books making”
Here and There 5
Nakako Hayashi, Here and There 5
Softcover, 48 pp., offset 4/1, 210 x 297 mm
Edition of 1000
Published by Nieves
out of print
Here and There is the magazine of one person. The fact that Nakako’s name is credited as the author on the cover is not an egocentric statement but reveals the spirit in which she makes it. Some people make films, others write books or make artworks, and Nakako makes a magazine. It is her personal work and in that sense she makes it in her own way, unlike most magazines on the planet. It also means she is free from capitalistic rules, from imposed trends, from the industry of fashion. Instead, she is free to follow her desire and to link the magazine with her personal life.
Here and There 4
Nakako Hayashi, Here and There 4
Softcover, 32 pp., offset 4/1, 210 x 297 mm
Edition of 1000
Published by Nieves
out of print
Here and There is the magazine of one person. The fact that Nakako’s name is credited as the author on the cover is not an egocentric statement but reveals the spirit in which she makes it. Some people make films, others write books or make artworks, and Nakako makes a magazine. It is her personal work and in that sense she makes it in her own way, unlike most magazines on the planet. It also means she is free from capitalistic rules, from imposed trends, from the industry of fashion. Instead, she is free to follow her desire and to link the magazine with her personal life.
Here and There 3
Nakako Hayashi, Here and There 3
Softcover, 32 pp., offset 4/4, 297 x 420 mm
Edition of 1000
Published by Nieves
out of print
Here and There is the magazine of one person. The fact that Nakako’s name is credited as the author on the cover is not an egocentric statement but reveals the spirit in which she makes it. Some people make films, others write books or make artworks, and Nakako makes a magazine. It is her personal work and in that sense she makes it in her own way, unlike most magazines on the planet. It also means she is free from capitalistic rules, from imposed trends, from the industry of fashion. Instead, she is free to follow her desire and to link the magazine with her personal life.