Essays by Jennifer Doyle. Photography by Michael Wells.
Municipal de Fútbol
Hardcover/boxed, 192 pp., offset 4/1, 260 x 350 x 40 mm
two books, one poster, nine artist lithographs, and a fútbol jersey, in cloth box
English and Spanish
Edition of 1000
ISBN 978-0-9816325-0-6
ISBN 978-0-9816325-1-3
ISBN 978-0-9816325-2-0
Published by Christoph Keller Editions, Textfield
$80.00 $40.00 ·
Distributed in North America by
Distributed Art Publishers
Municipal de Fútbol is a collaborative edition about amateur soccer in Los Angeles—the everyday experience of playing in pick-up games, weekend and night park leagues. Jennifer Doyle, a contributor to frieze and author of Sex Objects: Art and the Dialectics of Desire, has contributed two essays to the books, both with Spanish translation. Housed in an embossed green clothbound box with black ribbon pulls, the edition includes two clothbound books (one of which studies the game as it is played throughout Los Angeles, on hijacked baseball fields, back lots and public squares, and the other of which focuses on one field in particular, the ultra-scrappy and always animated Lafayette Park); one poster; artist lithographs by As-Found, Roderick Buchanan, Mari Eastman, General Idea, Jakob Kolding, Jonathan Monk, Arthur Ou, Peter Piller and Michael Wells; and a European National team adidas fútbol jersey with a “Municipal de Fútbol/Los Angeles Recreation and Parks” embroidered patch and a reflective silk-screened number. The edition is designed by Jonathan Maghen and photography is by Michael Wells.
“Fútbol bubbles up from the ground. It rains down on parks and leaks through walls. It rises like an irrepressible tide, and recedes only when everybody has to go earn some money for themselves and their families. Nobody playing here thinks it’s going to make them rich. Or famoso. It is what happens instead of work.” — Jennifer Doyle
AA Bronson, Art, Arthur Ou, As-Found, Christoph Keller Editions, Criticism, Culture, DAP, Distribution, Fashion, General Idea, Jakob Kolding, Jennifer Doyle, Jonathan Maghen, Jonathan Monk, Mari Eastman, Michael Wells, Peter Piller, Roderick Buchanan, Sandy Yang, Sport, Textfield, Typography
Jonathan Maghen, No More Reality (the poster)
Silkscreen poster/print, 1/0, 19 x 35 inches
Printed on archival Kromekote ultra high-gloss 14 pt cover stock
Edition of 25 + 2 proofs, unnumbered
Published by Textfield
$25.00 ·
The poster/print,
No More Reality (the poster), was produced for the temporary bookshop and exhibition
No More Reality, July 21 — August 25, 2011, which featured the works of Phil Chang, Arthur Ou, Eduardo Sarabia, and Anna Sew Hoy.
The bookshop and exhibition (and poster) title have been appropriated from the Philippe Parreno work, No More Reality (the demonstration), 1991, which is a four-minute video of children demonstrating, and chanting the slogan and title (“No More Reality”). The poster, illustrated by Darius Maghen, is based on a sign held by one of the children in the original Parreno work.
Anna Sew Hoy, Arthur Ou, Darius Maghen, Distribution, Eduardo Sarabia, Jonathan Maghen, Los Angeles, New York, Phil Chang, Philippe Parreno, Sun An, Textfield
Phil Chang
Arthur Ou
Eduardo Sarabia
Anna Sew Hoy
Temporary bookshop and exhibition
July 21 — August 25, 2011
Reception: Thursday, July 21, 6-8pm
Organized by Textfield, Inc.
Creatures of Comfort New York is pleased to present
No More Reality, a temporary bookshop and exhibition organized by Textfield, Inc. The bookshop and exhibition will take place in Creatures of Comfort’s adjacent project space at
205 Mulberry St.
In conjunction with the bookshop, which will feature current and archived titles from Textfield Distribution, there will be an exhibition of work by artists that Jonathan Maghen has collaborated with through Textfield to realize various publishing projects. The exhibition will feature the works of Phil Chang, Arthur Ou, Eduardo Sarabia, and Anna Sew Hoy.
The bookshop and exhibition title have been appropriated from the Philippe Parreno work, No More Reality (the demonstration), 1991, which is a four-minute video of children demonstrating, and chanting the slogan and title (“No More Reality”).
New York Times Tmagazine.
Aki Books, Amir Zaki, Anna Sew Hoy, ART2102, Arthur Ou, Ava Kaufman, Boabooks, C Magazine, Carvalho Bernau, Charlie White, Cheap Art America, Christoph Keller, Condiment, Cornerkiosk Press, Creatures of Comfort, der:die:das:, Distribution, Eduardo Sarabia, Ein Magazin über Orte, Exhibitions, Fellows of Contemporary Art, Fillip, FOCA, FormContent, Four Over One, IFS Ltd., Jade Lai, Jonathan Maghen, Karl Haendel, Keith Bormuth, Kunstverein, LACMA, Laura Bartlett Gallery, Laura Palmer Foundation, Manuel Raeder, Midway Contemporary Art, Mono.Kultur, New York, Nieves, Occasional Papers, OK-RM, Oslo Editions, Paper Monument, Participant Inc, Passenger Books, Phil Chang, Philippe Parreno, Project Projects, Rainoff Books, Regency Arts Press, Schnauzer, Shane Campbell Gallery, Slavs and Tatars, Teknisk Industri AS, Textfield, The Kingsboro Press, Tramnesia, VCFA, Vermont College of Fine Arts, Vier5
Alex Klein, Words Without Pictures
Softcover, 510 pp., offset 1/1, 5.75 x 8.25 inches
Edition of 2000
ISBN 978-1-5971114-2-3
Published by Aperture/LACMA
$25.00 ·
Words Without Pictures was originally conceived by curator Charlotte Cotton and artist Alex Klein as a means of creating spaces for discourse around current issues in photography. Every month for a year, beginning in November 2007, an artist, educator, critic or curator was invited to contribute a short unillustrated essay about an aspect of emerging photography. Each piece was available on the Words Without Pictures
website for one month and was accompanied by a discussion forum focused on its specific topic. Over the course of its month-long “life,” each essay received both invited and unsolicited responses from a wide range of interested parties. All of these essays, responses and other provocations are gathered together here. Previously issued as a print-on-demand title, we are pleased to present
Words Without Pictures to the trade for the first time as part of the
Aperture Ideas series.
A. L. Steiner, Alex Klein, Alex Slade, Allan McCollum, Allen Ruppersberg, Amir Zaki, Amy Adler, Anthony Pearson, Aperture, Art, Arthur Ou, Carter Mull, Charlie White, Charlotte Cotton, Christopher Bedford, Criticism, DAP, Darius Himes, David Reinfurt, Dexter Sinister, George Baker, Harrell Fletcher, James Welling, Jason Evans, John Divola, Kevin Moore, LACMA, Leslie Hewitt, Marisa Olson, Mark Wyse, Michael Queenland, Miranda Lichtenstein, Paul Graham, Penelope Umbrico, Photography, Sarah Charlesworth, Shannon Ebner, Sharon Lockhart, Soo Kim, Sze Tsung Leong, Theory, Walead Beshty, Wallis Annenberg Photography Department
Arthur Ou, Untitled (Pavillion); 2009; Wood, metal, cotton webbing; 8.5 x 8.5 x 8.5 feet
In their first collaborative installation, Arthur Ou and Alice Könitz suggest a reframing of the L.A. landscape in a surprisingly pastoral mode. Each artist created one half of the installation at LAXART, and though the two parts don’t fit seamlessly, they do make a spare but evocative tableau.
Ou’s contribution is a gazebo-like structure, made of six large wooden rings joined in a rounded cube. On two sides of the cube the rings are open, allowing visitors to enter. The other two sides and the roof are crisscrossed with black canvas strips that form an octagonal pattern reminiscent of rattan furniture. The pattern originated in China and the structure itself recalls Chinese garden pavilions that carefully frame specific, often symbolically loaded views.
In this case, the view is Könitz’s video projection. It depicts a group of young people, wearing cardboard headdresses of various geometric shapes, as they embark on a raft across a surprisingly lush section of the L.A. River. Upon reaching their destination, they indulge in a joyous, somewhat raucous outdoor feast.
It’s an unexpected vision of L.A. as a sylvan retreat inhabited by a tribe with an incongruous, Modernist aesthetic. (Anyone familiar with Könitz’s sculptures will recognize her trademark cardboard constructions mimicking High Modernist designs.) Combined with Ou’s more austere take on the garden pavilion, the installation offers a vista point from which to reorient one’s view of L.A.
—Sharon Mizota
LAXART
2640 S La Cienega Blvd
(310) 559-0166
through 16 January 2010
Alice Konitz, Arthur Ou, Kelly Berrie, LAXART, Los Angeles Times, Sharon Mizota