Contra Mundum I-VII
Softcover, 224 pp., offset 1/1, 140 x 220 mm
Edition of 1000
ISBN 978-0-9830773-0-5
Published by Oslo Editions
$18.00 · out of stock
The inaugural volume from
Oslo Editions,
Contra Mundum I-VII, documents a series of talks held at the Mandrake in Los Angeles on the theme of “contra mundum” or “against the world.” Taking its cue from Evelyn Waugh’s novel
Brideshead Revisited, Contra Mundum posits the world-making potential of (anti)sociality as a subject position and the value of a notion of collectivity grounded in “association without relation.” So doing, the book considers a diverse range of topics, including the furniture of Donald Judd, Private Issue New Age music, animal subjectivity, misanthropy and the trope of self-banishment in Shakespeare, apocalypticism and the zombie film, pirates from Blackbeard to Somalia, and the post-punk vocalist Mark E. Smith. Featuring contributions from artists Rupert Deese, Elad Lassry, Anthony Pearson, and Frances Stark, and critics Aaron Kunin, Matthew Taylor Raffety, and Evan Calder Williams.
Artforum 500 Words.
Aaron Kunin, Alex Klein, Animals, Anthony Pearson, Architecture, Art, Artforum, Aurele Sack, Dallas Acid, Donald Judd, Elad Lassry, Evan Calder Williams, Evelyn Waugh, Frances Stark, Furniture, Grigory Perelman, Jan Tumlir, Jon Pestoni, Mandrake, Mark E Smith, Mark Owens, Matt Anderson, Matthew Taylor Raffety, Michael Metzger, Music, New Age, Oslo Editions, Piper Wynn Severance, RAM, Rupert Deese, The Fall, Wendy Yao
Natilee Harren and Andrew Berardini, All Time Greatest
Softcover, 32 pp., mimeograph 1/1 + offset 4/4, 190 x 280 mm
Edition of 150
Vol. 1 (texts) + Vol. 2 (images)
Published by Fellows of Contemporary Art
$10.00 ·
A two-volume, limited edition catalogue designed by Brian Roettinger, published as his contribution to the exhibition, including essays by Andrew Berardini and Natilee Harren. Vol. 1 with texts; Vol. 2 with images.
Beyond the emergent field of sound art, there exist certain artists for whom music forms one aspect of a multi-faceted practice or for whom it plays a deep influence that may not find expression outside the studio. Conceived as a concept album-turned-exhibition, All Time Greatest offers the opportunity to consider how artists’ musical predilections — the secret soundtrack to their production — might add a dimension of significance to their work in an exhibition setting. The exhibition features the work of 11 LA-based artists: Gabrielle Ferrer, Brendan Fowler, Alex Klein, Dave Muller, Eamon Ore-Giron, Vincent Ramos, Steve Roden, Brian Roettinger, Sumi Ink Club (Luke Fischbeck and Sarah Rara), and Stephanie Taylor.
With the curator repositioned as fan or enthusiast, artists were selected out of an admiration for or curiosity about their musical knowledge and tastes. The center of the gallery will feature a turntable and record collection composed of each artist’s chosen “all time greatest” album. Visitors are welcome to thumb through and listen to the records. The pairing of visual art and music emphasizes the temporal dimension of viewing, and comfortable seating will invite visitors to spend extended time with the works on display. Against the culture of rapid digital file sharing, All Time Greatest uses the exhibition format as an opportunity to revive an analog, old-school approach to sharing music at the same time that it adapts the fan culture of audiophiles to the task of the curator.
Alex Klein, Andrew Berardini, Art, Brendan Fowler, Brian Eno, Brian Roettinger, Caetano Veloso, Dave Muller, Distribution, Eamon Ore-Giron, Fellows of Contemporary Art, Gabrielle Ferrer, Harry Nilsson, Liars, Man Is The Bastard, Natilee Harren, Ornette Coleman, Patti Smith, Stephanie Taylor, Stephen Sondheim, Steve Roden, Storm & Stress, Sumi Ink Club, Sun Ra, The Monk, The Mothers of Invention, Tom Waits, Vincent Ramos
Alex Klein, Words Without Pictures
Softcover, 510 pp., offset 1/1, 5.75 x 8.25 inches
Edition of 2000
ISBN 978-1-5971114-2-3
Published by Aperture/LACMA
$25.00 ·
Words Without Pictures was originally conceived by curator Charlotte Cotton and artist Alex Klein as a means of creating spaces for discourse around current issues in photography. Every month for a year, beginning in November 2007, an artist, educator, critic or curator was invited to contribute a short unillustrated essay about an aspect of emerging photography. Each piece was available on the Words Without Pictures
website for one month and was accompanied by a discussion forum focused on its specific topic. Over the course of its month-long “life,” each essay received both invited and unsolicited responses from a wide range of interested parties. All of these essays, responses and other provocations are gathered together here. Previously issued as a print-on-demand title, we are pleased to present
Words Without Pictures to the trade for the first time as part of the
Aperture Ideas series.
A. L. Steiner, Alex Klein, Alex Slade, Allan McCollum, Allen Ruppersberg, Amir Zaki, Amy Adler, Anthony Pearson, Aperture, Art, Arthur Ou, Carter Mull, Charlie White, Charlotte Cotton, Christopher Bedford, Criticism, DAP, Darius Himes, David Reinfurt, Dexter Sinister, George Baker, Harrell Fletcher, James Welling, Jason Evans, John Divola, Kevin Moore, LACMA, Leslie Hewitt, Marisa Olson, Mark Wyse, Michael Queenland, Miranda Lichtenstein, Paul Graham, Penelope Umbrico, Photography, Sarah Charlesworth, Shannon Ebner, Sharon Lockhart, Soo Kim, Sze Tsung Leong, Theory, Walead Beshty, Wallis Annenberg Photography Department
Terminus Ante Quem
Softcover, 8 pp., offset 1/1, 8 x 10 inches
Edition of 500
Published by Shane Campbell Gallery
$5.00 ·
Published on the occasion of the exhibition
Terminus Ante Quem
Shane Huffman, Barbara Kasten, Anthony Pearson, Erin Shirreff
May 1 — June 12, 2010
Organized by Anthony Pearson
Essay by Alex Klein
Designed by Mark Owens
Alex Klein, Anthony Pearson, Art, Barbara Kasten, Criticism, Distribution, Erin Shirreff, Mark Owens, Shane Campbell Gallery, Shane Huffman, Theory
Paper Monument 2
Softcover, 84 pp., offset 4/1, 7 x 10 inches
Edition of 2200
ISSN 1938-8918
ISBN 978-0-9797575-1-8
Published by n+1 Foundation, Inc.
$10.00 · out of stock
Paper Monument is a semi-annual print journal of contemporary art published in association with n+1. It is edited by Naomi Fry, Dushko Petrovich, Prem Krishnamurthy, Jessica Slaven, and Roger White, and designed by Project Projects.
Alex Klein, Art, Chad Harbach, Christopher Hsu, Criticism, Culture, David Giles, Distribution, Dushko Petrovich, Graphics, James Howard, Jessica Slaven, Kerstin Bratsch, n+1, Naomi Fry, Noah Sheldon, Paper Monument, Photography, Prem Krishnamurthy, Project Projects, Roger White, Theory, Typography