Ron Jude, Emmett
Softcover, 80 pp., offset 4/4, 6.75 x 9.5 mm
Edition of 1000
ISBN 978-0-9823653-2-8
Published by The Ice Plant
$30.00 ·
The past did not exist. Not at all.
—Jean-Paul Sartre
Jude’s latest book project, Emmett, brings new life to a selection of his own early photographs, made in the early 1980s in central Idaho. Enhanced by special-effects filters and cheap telephoto lenses, the pictures include hazy scenes of a summertime drag race, a forest across changing seasons, midnight horror films on TV and a Nordic-looking teenager who appears as a specter from the artist’s past. Edited here nearly 30 years after its making, this experimental body of work acquires unexpected nuance and humor, and has the serendipitous qualities of a dream –memories reorganized into a fictionalized narrative, imagery suffused with both an unsettling melancholy and the glow of youthful reverie. Related conceptually to and residing thematically between his two previous books — Alpine Star and Other Nature — Emmett achieves an aesthetic inspired by equal parts Motörhead and Jean-Paul Sartre.
Art, DAP, Jean-Paul Sartre, Motörhead, Photography, Pink Floyd, Ron Jude, The Ice Plant
Walead Beshty, Selected Correspondences 2001-2010
Softcover, 128 pp., offset 4/1, 210 x 297 mm
Edition of 2000
ISBN 978-88-6208-135-1
Published by Damiani
$49.00 ·
In 2001, Walead Beshty began documenting the Diplomatic Mission of the Republic of Iraq to the former German Democratic Republic in Berlin. Still protected as sovereign territory under the Vienna Conventions, the embassy has stood abandoned since the early 1990s as, in Beshty’s words, “a relic of two bygone regimes, unclaimable by any nation; a physical location marooned (by) symbolic shifts in global politics, a ruin set apart neitherby fences nor by millennia, but by the invisible and abstract mechanisms of international law”. The site inspired his ongoing engagement with the invisible and marginal territories of globalization which provide an important line through his photographic and sculptural work of the past decade. Selected Correspondences focuses on three bodies of photographic work — two that deal with the Embassy directly and a third, Transparencies, which continues the question of place and movement. The work has been exhibited at the Hammer Museum in Los Angeles, Tate Britain, London, and the Whitney Museum of American Art in New York, among others, and is brought together here for the first time, accompanied by two new essays on the projects.
Art, Criticism, Damiani, DAP, Eric Schwab, Hammer Museum, Iraq, Jason Smith, Peter Eleey, Photography, Tate Museum, Walead Beshty, Whitney Museum, Writings
Stephen Prina, The Second Sentence of Everything I Read is You
Softcover, 176 pp., offset 4/4, 215 x 270 mm
Edition of 2000
ISBN 0-978-3-86560-512-2
Published by Walther König
$45.00 ·
Preface by Karola Grässlin.
Essays
The Great Persuader by Astrid Wege; How Far We’ve Come From The River, a conversation between Bennett Simpson and Stephen Prina.
Describing Conceptual artist and musician Stephen Prina’s work in 2004, the Harvard Gazette wrote, “Prina’s artwork is full of unsuspected surprises, secret compartments that pop open to release compressed bundles of meaning or coiling strands of narrative.” His work at the 2008 Whitney Biennial, for example, was conceived as “a traveling spectacle — a mini-Broadway-musical-on-the-road or circus,” according to the artist. This concise retrospective volume presents work from 1979 to 2008, as well as installation views of Prina’s recent one-person exhibition at the Staatliche Kunsthalle Baden-Baden in Germany.
Art, Astrid Wege, Bennett Simpson, DAP, Friedrich Petzel Gallery, Interviews, Karola Grässlin, Staatliche Kunsthalle, Stephen Prina, Walther König, Whitney Museum
Gregory Williams, Art from Los Angeles: From the 60s-90s
Softcover, 48 pp., offset 4/4, 215 x 270 mm
English and German
Edition of 2000
ISBN 9783865603241
Published by Walther König
$26.00 ·
Since the 1960s, Los Angeles has been a hub for groundbreaking art. This slim volume features work by Bas Jan Ader, Michael Asher, John Baldessari, Chris Burden, Douglas Huebler, Larry Johnson, Mike Kelley, William Leavitt, Paul McCarthy, Bruce Nauman, Maria Nordman, Raymond Pettibon, Stephen Prina, Allen Ruppersberg, Ed Ruscha and Christopher Williams.
Allen Ruppersberg, Art, Bas Jan Ader, Bruce Nauman, Chris Burden, Christopher Williams, DAP, Douglas Huebler, Ed Ruscha, Gregory Williams, John Baldessari, Karola Grässlin, Larry Johnson, Maria Nordman, Michael Asher, Mike Kelley, Paul McCarthy, Raymond Pettibon, Stephen Prina, Walther König, William Leavitt
Art & Language, Homes for Homes II
Softcover, 272 pp., offset 4/1, 165 x 235 mm
Edition of 2000
ISBN 978-3-905701-56-2
Published by JRP|Ringier
$35.00 ·
Art & Language is the name of a group of English artists who choose to work collectively, and the title of a magazine that they founded in 1968. Proposing a critical analysis of the relations between art, society, and politics, Art & Language marks, even in its name, the importance of the “textual turning point” in the 1960s.
Since 1976, Art & Language’s project has continued, through Mel Ramsden and Michael Baldwin, with the literary and theoretical collaboration of Charles Harrison. Working with very varied mediums, from painting to rock, these co-founders of Conceptual art remain, even today, attached to observing the consequences of what they themselves call the “depressing collapse of modernism.”
This publication is built around an important installation “Homes from Homes 2″ (2000–2001), which simultaneously references the development of Art & Languages’s work over the decades and the collection of the Migros Museum für Gegenwartskunst in Zurich, in which it is now included. Each element of the installation is described, annotated, and put in the context of aesthetic, theoretical, and political problematics through extended captions and essays by the artists.
Art, Art & Language, Charles Harrison, DAP, JRP|Ringier, Mel Ramsden, Michael Baldwin, Museum für Gegenwartskunst Migros
Hans Haacke, We Are Who We Are
Softcover, 192 pp., offset 4/1, 195 x 250 mm
English and German
Edition of 2000
ISBN 9783901107344
Published by Generali Foundation
$39.00 ·
Long known for bringing trenchant analyses of sociopolitical structures into museum contexts, Hans Haacke has in the past exposed corporations who use art sponsorship to booster their image and slum landlords who hide behind diversified corporations. In his first exhibition in Vienna, the title of which gives its name to this book, Haacke tackles Austria’s emotionally laden understanding of its own history and national identity. A larger discourse on “the culture of memory” weaves its way through selected historical works of Haacke’s, including his 1999 project for the Reichstag, as well as through the artist’s own writings, available here for the first time.
Art, Christian Kravagna, DAP, Dietrich Karner, Generali Foundation, Hans Haacke, Heidemarie Uhl, Philo Fine Arts, Sabine Breitwieser
Wolfgang Tillmans, Wolfgang Tillmans
Hardcover, 80 pp., offset 1/1, 218 x 305 mm
Edition of 2000
ISBN 978-3-905829-36-5
Published by JRP|Ringier
$35.00 ·
This publication is a reprint of the first book realized by Wolfgang Tillmans in 1995. A very atmospheric, if measured, compilation of black and white images, it combines portraits of youth culture with landscape, city scenes with slogans, clippings from newspapers, and book illustrations. Released now into a different context from its first appearance, the book is emblematic of the new approach and the energy Tillmans has developed since the end of the 1980s to the present in terms of genres, quality, and the status of photography as a medium.
Andrea Rosen, Art, DAP, Galerie Daniel Buchholz, JRP|Ringier, Kunsthalle Zürich, Nicola von Senger, Photography, Wolfgang Tillmans
Detlev Gretenkort and Karsten Schubert, Georg Baselitz: Collected Writings and Interviews
Softcover, 300 pp., offset 4/1, 145 x 215 mm
Edition of 2000
ISBN 978-1-905464-23-4
Published by Ridinghouse
$49.00 ·
The outstanding British publisher Ridinghouse brings out the most comprehensive look into the life and work of German abstract expressionist Georg Baselitz. The book is divided into four sections: personal images; a record of Baselitz’s artworks; the artist’s own writings (some published for the first time, many never before translated into English); and interviews with the artist by noted writers and art historians. Known for his rebellious approach to painting, Baselitz discusses the act of painting, his biography and much more. The artist’s writings cover topics from his first trip abroad to other painters he’s admired. Though not a catalogue raisonné, this copiously illustrated book gives the most complete picture ever of a seminal artist.
Art, Criticism, Detlev Gretenkort, Fiona Elliott, Georg Baselitz, Interviews, Jill Lloyd, Karsten Schubert, Louisa Green, Mark Thomson, RAM, Ridinghouse, Theory, Writings
Craig Krull, Photographing the L.A. Art Scene 1955-1975
Softcover, 92 pp., offset 1/1, 9 x 9 inches
Edition of 2000
ISBN 1-889195-02-2
Published by Smart Art Press
$25.00 · out of stock
Photographing the L.A. Art Scene is a catalogue celebrating the legendary artists, dealers, and friends who comprised the nucleus of the L.A. art scene during this seminal time period. Includes photography by: Charles Britton, Dennis Hopper, William Claxton, Jerry McMillan, Clytie Alexander, Gary Krugier, Ken Price, Peggy Moffitt, Jan Webb, Pat Beer, Ed Moses, Edmund Teske, Wallace Berman, Patricia Faure, Julian Wasser, Ed Ruscha, Joe Goode, Malcolm Lubliner and John Waggaman. Introduction by Craig Krull.
Art, Charles Britton, Clytie Alexander, Craig Krull, Dennis Hopper, Ed Moses, Ed Ruscha, Edmund Teske, Gary Krugier, Jan Webb, Jerry McMillan, Joe Goode, John Waggaman, Julian Wasser, Ken Price, Los Angeles, Malcolm Lubliner, Pat Beer, Patricia Faure, Peggy Moffitt, Photography, RAM, Smart Art Press, Wallace Berman, William Claxton
Josephine Meckseper, The Josephine Meckseper Catalogue No. 2
Softcover, 48 pp., offset 4/4, 240 x 240 mm
English and German
Edition of 1000
ISBN: 1-933128-14-3
Published by Sternberg Press
$24.00 ·
“Politics and aesthetics morph seamlessly in a world where politics confuses itself with representation, where all attention is swallowed in the communication of a message rather than in the intensity of an event. … In Meckseper’s gallery installation, where fashion images share space with protest documentation, where an idea of relational space rubs shoulders with an idea of lifestyle or boutique design, where an idea of the social morphs into an idea of the commodity relation, many of the elements on display also double as mechanisms of display: shelves, rugs, windows, magazine covers, and wallpaper are the products here. Here, display displays itself. Covers and wrappings conceal nothing, they only reveal themselves. And, reappropriating the very mechanisms of commodity transmission in this way, and in particular by conflating politicized symbols with such functions … , by relocating non-art in art and vice versa, by this orgiastic displacement, this diabolical Feng Shui of signifying forms and materials, the artist also goes to work (like the peasant in her field, the posing model) in the production of her anti-world.”
—John Kelsey
Art, Elizabeth Dee, Fashion, Josephine Meckseper, RAM, Sternberg Press, Sylvere Lotringer
Josephine Meckseper, The Josephine Meckseper Catalogue No. 1
Softcover, 64 pp., offset 4/4, 240 x 240 mm
English and German
Edition of 1000
ISBN 978-1-933128-00-9
Published by Sternberg Press
$24.00 · out of stock
“Politics and aesthetics morph seamlessly in a world where politics confuses itself with representation, where all attention is swallowed in the communication of a message rather than in the intensity of an event. … In Meckseper’s gallery installation, where fashion images share space with protest documentation, where an idea of relational space rubs shoulders with an idea of lifestyle or boutique design, where an idea of the social morphs into an idea of the commodity relation, many of the elements on display also double as mechanisms of display: shelves, rugs, windows, magazine covers, and wallpaper are the products here. Here, display displays itself. Covers and wrappings conceal nothing, they only reveal themselves. And, reappropriating the very mechanisms of commodity transmission in this way, and in particular by conflating politicized symbols with such functions… , by relocating non-art in art and vice versa, by this orgiastic displacement, this diabolical Feng Shui of signifying forms and materials, the artist also goes to work (like the peasant in her field, the posing model) in the production of her anti-world.”
—John Kelsey
Andrew Ross, Art, Fashion, John Kelsey, Josephine Meckseper, RAM, Sternberg Press
Martin Kippenberger, Multiples 1982-1997
Softcover, 144 pp., offset 4/4, 215 x 270 mm
Edition of 2000
ISBN 9783883756783
Published by Walther König
$35.00 · out of stock
This latest reference work on Kippenberger catalogues all of the multiples produced between 1982 and 1997, documented by title, year, format, motive, edition, signature, and production. Here you will find many hard-to-describe works, including Mirror Babies, ELITE ‘88, Upside Down And Turning Me, Disco Bombs, and Kippen Seltzer.
Art, DAP, Karola Grässlin, Martin Kippenberger, Martin Prinzhorn, Museum van Hedendaagse Kunst Antwerpen, Walther König
Contra Mundum I-VII
Softcover, 224 pp., offset 1/1, 140 x 220 mm
Edition of 1000
ISBN 978-0-9830773-0-5
Published by Oslo Editions
$18.00 · out of stock
The inaugural volume from
Oslo Editions,
Contra Mundum I-VII, documents a series of talks held at the Mandrake in Los Angeles on the theme of “contra mundum” or “against the world.” Taking its cue from Evelyn Waugh’s novel
Brideshead Revisited, Contra Mundum posits the world-making potential of (anti)sociality as a subject position and the value of a notion of collectivity grounded in “association without relation.” So doing, the book considers a diverse range of topics, including the furniture of Donald Judd, Private Issue New Age music, animal subjectivity, misanthropy and the trope of self-banishment in Shakespeare, apocalypticism and the zombie film, pirates from Blackbeard to Somalia, and the post-punk vocalist Mark E. Smith. Featuring contributions from artists Rupert Deese, Elad Lassry, Anthony Pearson, and Frances Stark, and critics Aaron Kunin, Matthew Taylor Raffety, and Evan Calder Williams.
Artforum 500 Words.
Aaron Kunin, Alex Klein, Animals, Anthony Pearson, Architecture, Art, Artforum, Aurele Sack, Dallas Acid, Donald Judd, Elad Lassry, Evan Calder Williams, Evelyn Waugh, Frances Stark, Furniture, Grigory Perelman, Jan Tumlir, Jon Pestoni, Mandrake, Mark E Smith, Mark Owens, Matt Anderson, Matthew Taylor Raffety, Michael Metzger, Music, New Age, Oslo Editions, Piper Wynn Severance, RAM, Rupert Deese, The Fall, Wendy Yao
